Cris et Féminités

Nathalie Rodach

Cris et Féminités

Drawing, mixed media
March 26 – May 9, 2015
Opening: Saturday, March 28, 2015
Cri radio 26 encre
2013
Ink and red strings on X-ray film
30.2 x 25.2 cm
Cri radio 28 encre
2013
Ink on radiology
20.1 x 25.2 cm
Cri radio 34 encre
2013
Ink on radiology
35.4 x 42.9 cm
Cri radio 38 encre
2013
Ink, red strings, and newspaper on X-ray film
35.4 x 42.9 cm
Cri radio 35 encre
2013
Ink, red strings, and gold on X-ray film
25.2 x 30.2 cm
Cri radio 37 encre
2013
Ink, red strings, and gold on X-ray film
35.4 x 42.9 cm
Féminité, la semaine, secret 1
2012
Ink, beads, string and gauze on paper
50 x 65 cm
Féminité, la semaine, secret 4
2011
Ink, string, and gauze on paper
50 x 65 cm
Féminité, la semaine, secret 5
2011
Ink, string and gauze on paper
50 x 65 cm
Féminité, la semaine, secret 6
2011
Ink, string, and gauze on paper
50 x 65 cm
Féminité, la semaine, secret 7
2011
Ink, string, and gauze on paper
50 x 65 cm
Féminité, la semaine, secret 8
2011
Ink, beads, string, metal and gauze on paper
50 x 65 cm

Nathalie Rodach questions the relationship between Man and his fate. For the exhibition Cris et Féminités, Rodach weaves links between the spiritual, the organic, and the trivial. In the series Féminités (Femininities), through weaving, Rodach explores life’s paths and the questioning of women.

Nathalie Rodach questions the relationship between Man and his fate. For the exhibition Cris et Féminités, Rodach weaves links between the spiritual, the organic, and the trivial. In the series Féminités (Femininities), through weaving, Rodach explores life’s paths and the questioning of women.

In the series Cris (Shouts), on the transparency of X-ray film, the artist paints faces, deformed by mute, fixed expectations. Collectively, the shouts and the femininities tell a story; one of essential introspection. By revealing these secrets, she plunges the spectator into a naked and fragile level of intimacy.

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