Architecture Parallax

Alexander Pilis

Architecture Parallax

Installation, real time media sculpture, assemblage of images
May 14 – June 20, 2015
12 to 5pm
Opening: Saturday May 16, 2015
Architecture Parallax I
2014
Color Print with Braille Print
29.5 x 42 cm / 11.61 x 16.54 in
Architecture Parallax II
2014
Color Print with Braille Print
29.5 x 42 cm / 11.61 x 16.54 in
Architecture Parallax III
2014
Color Print with Braille Print
29.5 x 42 cm / 11.61 x 16.54 in
Architecture Parallax IV
2014
Color Print with Braille Print
29.5 x 42 cm / 11.61 x 16.54 in
Architecture Parallax V
2014
Color Print with Braille Print
29.5 x 42 cm / 11.61 x 16.54 in
Architecture Parallax VI
2014
Color Print with Braille Print
29.5 x 42 cm / 11.61 x 16.54 in
Optical Lapse Apparatus
2015
Installation, real time media sculpture
240 x 120 cm / 94.5 x 47.2 in

For the exhibition Architecture Parallax : Optical Lapse Apparatus, Alexander Pilis presents an installation composed of four cameras situated in the four corners of the exhibition room, emitting in real time the space as well as the visitors onto a glass construction thus virtually recreating the exhibition space with the participating public.                                            Through his work, the artist explores the theorem of the Parallax – meaning the effect of the change in position of the observer on the observation of an object – to offer the possibility of perceiving the space, and the visitor’s interaction with it, in four different yet simultaneous ways In dialogue with the installation, the artist presents the series Blind Slippage, six humoristic prints displaying storyboards, which reflect the artist’s investigation linking language with image.

For the exhibition Architecture Parallax : Optical Lapse Apparatus, Alexander Pilis presents an installation composed of four cameras situated in the four corners of the exhibition room, emitting in real time the space as well as the visitors onto a glass construction thus virtually recreating the exhibition space with the participating public.                                           

Through his work, the artist explores the theorem of the Parallax – meaning the effect of the change in position of the observer on the observation of an object – to offer the possibility of perceiving the space, and the visitor’s interaction with it, in four different yet simultaneous ways

In dialogue with the installation, the artist presents the series Blind Slippage, six humoristic prints displaying storyboards, which reflect the artist’s investigation linking language with image.

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